Director Milan Luthria's newest film The Dirty Picture had produced set of curiosity in the middle of the audiences especially in lieu of Vidya Balan's dirty scenes, which got 'A' certificate in lieu of the film. But no one had probable it to grasp rave reviews from film critics to such an degree.
The Dirty Picture has standard certain reviews from all film critics, who allow lauded performer Vidya Balan's performance, Milan Luthria's direction, Vishal-Shekhar's tune, Rajat Arora's script, dialogues, Bobby Singh's film making and Pony Prakash Raj's choreography.
The Times of India:
Director Milan Luthria has complete control larger than the subject matter material in almost each aspect - whether it's the story, grammar of milieu or exploring the mind of the female protagonist. All the rage his biographical report of a sex-symbol, while he explores the sensual segment of Vidya Balan to the hilt, by the side of the same phase he furthermore shows greatest sensitivity in not exploiting the premise in a way with the intention of the film turns rough in itself.
The Hindustan Times:
The film however, even as soon as not mimicking its subject matter, somewhat retains its ‘80s feel: Unwarranted dialoguebaazi, often loaded with expand entendres, particular loud scenes with actors every time in a state of emergency, and the “serial kisser” (Emraan Hashmi) who obligation place a Sufi song, and a girl’s lips to please his heart audiences.
GlamSham:
This film has a tightly bound script with completely single wobbly pile. And frankly speaking, it's unfair on director Milan Luthria since Vidya Balan's stimulating performance, leaves the lie gasping in lieu of breath. You completely see to it that her grasp the character and designate it better than life. This is perhaps her top performance plow court. Even Naseeruddin Shah gracefully blends into the background as the 'Hero' takes Centre stage.
Gene India:
Meant to be a biopic of south bell Silk Smitha, the film really is a recreation of an era as soon as exaggeration in cinema was cool. It furthermore pays tribute to all things inane not far off from our films. Even as it depicts an era as soon as the formula ruled, The Dirty Picture lives the formula itself.
Rediff:
The Dirty Picture completely draws an outline of Silk's character as a substitute of painting a layered photograph but Vidya Balan makes it awe-inspiring with her performance.
India Today:
Balan submits herself to the role and you can see to it that why it would be so alarming. It's a tumble into addiction, which we know will be suicidal. Luthria may possibly allow made it a reduced amount of glossy but he gets a little wedged up in the frame of the 80s, the good cars, the good shoes, and the good fleece. But his default nature is larger than the top, and I allow to say I loved the outrageous dialogues, in black and white by Rajat Arora, who must to allow been by the side of exert yourself in the 80s.
Bollywood Hungama:
The Dirty Picture banks powerfully on shock-value, sex-value and a large amount importantly, script-value. It's an exceptional portrayal of an ordinary person's bank from scrape to extraordinary heights and her later fall.
The Dirty Picture has standard certain reviews from all film critics, who allow lauded performer Vidya Balan's performance, Milan Luthria's direction, Vishal-Shekhar's tune, Rajat Arora's script, dialogues, Bobby Singh's film making and Pony Prakash Raj's choreography.
The Times of India:
Director Milan Luthria has complete control larger than the subject matter material in almost each aspect - whether it's the story, grammar of milieu or exploring the mind of the female protagonist. All the rage his biographical report of a sex-symbol, while he explores the sensual segment of Vidya Balan to the hilt, by the side of the same phase he furthermore shows greatest sensitivity in not exploiting the premise in a way with the intention of the film turns rough in itself.
The Hindustan Times:
The film however, even as soon as not mimicking its subject matter, somewhat retains its ‘80s feel: Unwarranted dialoguebaazi, often loaded with expand entendres, particular loud scenes with actors every time in a state of emergency, and the “serial kisser” (Emraan Hashmi) who obligation place a Sufi song, and a girl’s lips to please his heart audiences.
GlamSham:
This film has a tightly bound script with completely single wobbly pile. And frankly speaking, it's unfair on director Milan Luthria since Vidya Balan's stimulating performance, leaves the lie gasping in lieu of breath. You completely see to it that her grasp the character and designate it better than life. This is perhaps her top performance plow court. Even Naseeruddin Shah gracefully blends into the background as the 'Hero' takes Centre stage.
Gene India:
Meant to be a biopic of south bell Silk Smitha, the film really is a recreation of an era as soon as exaggeration in cinema was cool. It furthermore pays tribute to all things inane not far off from our films. Even as it depicts an era as soon as the formula ruled, The Dirty Picture lives the formula itself.
Rediff:
The Dirty Picture completely draws an outline of Silk's character as a substitute of painting a layered photograph but Vidya Balan makes it awe-inspiring with her performance.
India Today:
Balan submits herself to the role and you can see to it that why it would be so alarming. It's a tumble into addiction, which we know will be suicidal. Luthria may possibly allow made it a reduced amount of glossy but he gets a little wedged up in the frame of the 80s, the good cars, the good shoes, and the good fleece. But his default nature is larger than the top, and I allow to say I loved the outrageous dialogues, in black and white by Rajat Arora, who must to allow been by the side of exert yourself in the 80s.
Bollywood Hungama:
The Dirty Picture banks powerfully on shock-value, sex-value and a large amount importantly, script-value. It's an exceptional portrayal of an ordinary person's bank from scrape to extraordinary heights and her later fall.
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